
Sunday, January 18, 2009
Feel The Weight

Sunday, January 11, 2009
Dirty Plates, Creased Shirts, and Mince
I was having issues with the plot; one scene in particular which occurs very close to the end of the book. The scene had to be bloody, nail biting, sneak-a-peek-between-your-fingers type stuff. But it also had to portray a pivotal moment for two of the main characters.
The problem was this: I knew how I arrived at the scene and I knew how I wanted to leave it, but bugger me if I knew what went on in between. I've found you really can box yourself into a corner sometimes, plot wise, and finding a way out can prove difficult.
Anyway, I decided to step away, take a break and let the mind sort out my conundrum while I performed menial household chores like washing the dishes.
And it worked. At the time, I was very, very pleased with the solution that I had come up with.
I finished up the dishes, returned to my computer, and sketched out a rough plan for the scene. Reading back over it, I smiled and deemed it pure gold.
Stepping away from your novel helps a lot, especially if you find yourself in a sticky situation. Sometimes typing your way through it can work, letting the fingers run free, trusting in the magical power of prose that you have at your fingertips. However, more often than not, it can be difficult to arrive at a solution while sitting in front of your computer, staring at the words (or lack thereof) on the screen. Shutting down the computer for an hour and concentrating on something else can do the trick. The subconscious mind is an amazing thing; while you are mopping the floor or completing your tax return (ahem, 31 January people), it can busily and quite happily piece the puzzle together and work out the intricacies of the scene for you. Cue the dishwashing.
Conversely, however, taking time out can kill a scene or idea. This is what happened to me. After jotting down my idea ("pure gold" remember), I headed off to Greenwich to watch some cricket on Sky at a mate's place. On the train ride, I managed to convince myself that the scene, as it played out after my dishwashing session, was not right. It had the wrong feel to it; it was completely out of sync with the feel and tone of the novel. The scene did need to be significant and stand out from the rest, but my idea was too extreme. So I binned it.
Which lead me back to the drawing board and I have just spent the last 45 minutes, sitting in front of my computer, thinking about how the scene could work, and getting no where. If only I could come up with the answer.
I think I'll iron my shirts.
BTW - for those of you who are interested in what my ditched dishwashing inspired scene was all about, it involved a mincer and a severed little finger.
If you are now disappointed that the scene was canned, it's probably a reflection of your good self. But fear not, sick puppies: if ironing the shirts doesn't work, the mincer might find its way back in.
Wednesday, December 17, 2008
Malicious Intent by Kathryn Fox
The Open Road
- Winner of National Novel Writing Month - joining the thousands who completed 50,000 words in the month of November.
- Developed a much more structured and disciplined writing practice.
- Passed 200,000 words on my first draft.
Two hundred thousand words is a hell of a lot of writing (and waffle) and by my calculations, that makes me 80% of the way there. I'm expecting the last twenty percent to be completed quite quickly, anticipating that rush at the end that many authors talk about, when everything starts to come together, when the finish line is in sight and where I will be bounding out of bed in the mornings into my study, eager to keep cracking on with it. I haven't reached that stage yet, but I have caught glimpses of it, especially as I am now thinking a lot more about how to end this book.
Mark Billingham uses the analogy of driving through fog when talking about writing and plotting a book. He knows his destination but doesn't know how he will get there. He can only see into the fog as far as the reach of the headlights. The rest is unknown.
My approach to writing is similar, although, for this first novel, I do have a map. The fog is still there but I know pretty much the route I am taking. However, I still find the writing difficult. To take the analogy one step further, firing myself up to sit down and start typing is like starting a car engine on a cold morning, taking numerous attempts before it roars to life. Even with a map, the first few miles are sluggish, as if I know where I am going but I am stuck in slow moving traffic. I become bored and distracted and wonder whether it's worth making the trip at all. Then I see a gap in the traffic and I take it and end up on an empty freeway, with nothing hindering my progress, not even fog. I step on the accelerator and push the car to its limits, speeding along that empty road. That is the moment I really enjoy and I hope, as I approach the end of my journey, that the speed and exhilaration continues.
In other news, Borders booksellers in America have signed a deal with pubilsher HarperStudio that no longer allows the retailer to return unsold books back to the publisher. My first thought was that retailers would order a lot less books and steer clear from unknown and untested authors in order to reduce the risk of being stuck with unwanted stock. This would be bad news for authors all round. Sandra Ruttan, however, takes a more optimistic and informed view here.

Thursday, December 04, 2008
It's Over But The Writing Continues . . .
It was an immense challenge, but I surprised myself with my commitment and planning, ensuring that I kept up the word count, meeting and exceeding my daily quota of words on a regular basis. I also proved to myself that a regular writing schedule can be squeezed around a full time job, which has always been a big hurdle for me. In addition, not only did I develop some good writing habits, I took a big step forward towards finishing the first draft on my novel.
The writing doesn't stop there, though. I still have my target of finishing this first draft before dawn on the 19 December. The challenge is to keep the momentum going without the fun of a contest or without that feeling of camaraderie with other writers that is experienced during NaNoWriMo.
I'm doing it a little different for December too. I'm not aiming for the same word count each day because I don't want to rush the intricacies of the final quarter of the book. Instead, I have a goal of 90 minutes of writing a day. The first few days of December made me quite proud; despite a busy schedule at work, I met my 90 minute goal and exceeded 2,000 words in each sitting. The rest of the week has been a debacle due to increasing work commitments; no time spent on writing. Some catching up is required but I feel confident that I can do that over the next two weeks.
NaNoWriMo was a very beneficial experience and I learned a lot - as I suspect everybody participating did - so congrats to everyone else who took part - well done! Looking forward to next November.
Elsewhere on the planet, news of the Harrogate 2009 lineup has been published and for me, the highlight is the attendance of George Pelecanos. He would have to be one of my favourite authors, if not the favourite. His novels are a pleasure to read and are super cool. He is such a great guy too. The last time he was at Harrogate, he gave some inspiring words of advice that helped me kick start my novel and get over the fear of tackling such a big project. That advice was given to the general audience, so I hope I'll be able to sneak in a five minute chat with him at the bar next July, one on one. Quite an exciting prospect.
I'm not alone here: the ladies, especially those on Mark Billingham's forum, have their own reasons for getting excited about Mr Pelecanos's attendance:
